A good compressor isn’t a one tone pony, it’s a sonic tool that allows for specific shaping of audio hills and valleys creating something more alive and immediate. A great compressor does all of these things, and still allows your amp’s natural sound to sing through. Meet the Origin Effects Cali 76 CD (or Compact Deluxe) — a great compressor.... Click on the title for more



SOMEBODY once said that if you remember the ‘60s you weren’t really there, and this is clearly a problem if you have an interest in effects pedal history.
The WEM-Rush Pepbox was, until recently, one of the great mysteries of UK fuzz, an area which is notoriously, um, fuzzy in its formative years.
One of the premier effects from the mad minds at
Ghost King's 2016 debut album "
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With her latest project, Half Waif's Nandi Rose Plunkett has successfully bridged the ever-growing chasm between "avant" and pop, taking Radiohead's lesson to a more intimate and less pretentious place. The band's sophomore album 'Probable Depths" is an intriguing blend of synth and orchestral pop full of texture and otherworldly melodies. We asked Plunkett a few questions about her creative process and gear.
What events and records have been inspiring the music in 'Probable Depths’?
At the heart of ‘Probable Depths’ is the experience of recording the basic sounds for the album in the house where I grew up, in Western Massachusetts. It was very cold and very snowy when we were recording, yet the house was lit up with warmth from the old wood stove. To me, the album has this slick, constructed outside atmosphere that feels like the sharp air and the architecture of the house. Inside, in contrast, there’s the personal nature of the lyrics, the inner warmth of my thoughts, a sensation of being nestled inside a world of sound. That house has a lot of history – a lot of memories, joys, and intense sorrow. There’s a depth there that you might not feel when looking at the quaint red New England exterior, just like I hope there’s a depth to the music that requires a few listens.... Click on the title for more
It’s 1973 in Berkeley, California, and a young electrical wizard named Craig Anderton has just developed his take on the envelope filter. He calls it the “Funk Machine”, and together with John Lang, starts an innovative and experimental guitar effects brand, Seamoon Inc. Hand-building each individual unit, they launch their new brand with one pedal and quickly the word starts to spread... Fast forward a few months, Anderton decides it’s time to expand, and with that he develops Seamoon’s own version of the classic fuzz effect: the Fresh Fuzz was born.... Click on the title for more
Orange County boutique manufacturer
Peter Rutter of
Those of you who like to challenge themselves with DIY projects in the realm of electric engineering applied to music, should take a look at 






