Author Archive
NYC's Cloud Becomes Your Hand's creative potential is on full display in their sophomore album "Rest In Flea," a multi-colored sonic adventure released by intrepid Queens label Northern Spy, home to an enviable collection of NYC's best experimental talents of all ages. But the record, a brilliantly quirky but very musical collage of robotic numbers, psychedelia and musical deconstruction, doesn't tell the whole story. With electronic xylophone, clarinet and electric violin rounding up their drum/bass/guitar sonic backbone, the sextet offers a monstrously tight live show featuring perfectly choreographed movements and sublime moments of absurdity, reminiscent of a DIY blend of Devo, Wire and The Residents.... Click on the title for more
Are you old enough to remember the amazing old Sierra video game series from the late '80s and early '90s that included the classics like Kings Quest, Hero’s Quest, Space Quest, and Police Quest? Well, the Canadian husband and wife duo, Ryan and Tanya Clarke, of Dr. Scientist pedals (who by the way have possibly the best website on earth) have managed to conjure up that nostalgic spirit of vintage gamer lore in pedal form with their latest adventure in a box, the BitQuest.... Click on the title for more
Noise is not a stranger in NYC, whether you are referring to the city's ambient sound or its musical counterpart, which is - more often than not - generated by distorted guitars and fuzz pedals. Guitarist and vocalist Jenny Tuite's band Dirty Dishes inserts itself in this noise rock tradition, which gave us unforgettably turbulent recordings by bands like the Velvet Underground, Sonic Youth and A Place To Bury Strangers. It turns out Jenny is borderline obsessed with stompboxes, and had no problem sharing with us some effect related tricks she does when playing.... Click on the title for more
A good compressor isn’t a one tone pony, it’s a sonic tool that allows for specific shaping of audio hills and valleys creating something more alive and immediate. A great compressor does all of these things, and still allows your amp’s natural sound to sing through. Meet the Origin Effects Cali 76 CD (or Compact Deluxe) — a great compressor.... Click on the title for more
SOMEBODY once said that if you remember the ‘60s you weren’t really there, and this is clearly a problem if you have an interest in effects pedal history.
The WEM-Rush Pepbox was, until recently, one of the great mysteries of UK fuzz, an area which is notoriously, um, fuzzy in its formative years. This photograph of John Lennon at Abbey Road in August 1966 ensures the place of the Pepbox in rock’n’roll history. Lennon stands with his back to the camera, his left hand lingering on a pedal, sitting on top of a Vox amp. You can’t see it clearly, but eventually it was identified as an early fuzz box, the WEMRush Pepbox.... Click on the title for more
One of the premier effects from the mad minds at Dr. No Effects - a Dutch company with a firm “all analog” design principle, dedicated to bringing an old school sound to the modern age - comes in the form of the Octofuzz.
As you may have guessed, this is an octave fuzz pedal, but the tones available from the Octofuzz run the entire range of fuzz. While certainly capable of handling the legendary fuzz sounds of such rock pioneers as Hendrix, the pedal is also right at home dishing out more modern sounds reminiscent of acts like Queens of the Stone Age, the White Stripes, and more.... Click on the title for more
Ghost King's 2016 debut album "Bones" impressed our friends at The Deli so much that they made it NYC Record of the Month back in April. The album features what could be seen (and heard) as an noteworthy recap of the (indie) guitar rock sound of the '90s, with references to bands as disparate and glorious as Sonic Youth, the Violent Femmes, Pavement, The Pixies and Guided by Voices. Considering the wide range of guitar tones in the record, we thought band songwriter and guitarist Carter McNeil might have something interesting to say about what inspired the record and what gear made it possible.... Click on the title for more



There's a fine line between "old" and "vintage," and that subtle quality called "character" is what stands between the two. Many music lovers today enjoy the sonic imperfections of vinyl records, and while several examples of vinyl emulation plug ins for recording have been around for decades, guitar pedal manufacturers haven't shown as much interest in the idea, if any.
... Click on the title for more
NYC's 
Are you old enough to remember the amazing old Sierra video game series from the late '80s and early '90s that included the classics like Kings Quest, Hero’s Quest, Space Quest, and Police Quest? Well, the Canadian husband and wife duo, Ryan and Tanya Clarke, of
Noise is not a stranger in NYC, whether you are referring to the city's ambient sound or its musical counterpart, which is - more often than not - generated by distorted guitars and fuzz pedals. Guitarist and vocalist Jenny Tuite's band
SOMEBODY once said that if you remember the ‘60s you weren’t really there, and this is clearly a problem if you have an interest in effects pedal history.
The WEM-Rush Pepbox was, until recently, one of the great mysteries of UK fuzz, an area which is notoriously, um, fuzzy in its formative years.
Ghost King's 2016 debut album "![amukaT%20Gadgets%20Tweaker%20Ver2[1]](http://delicious-audio.com//wp-content/uploads//2016/07/amukaT20Gadgets20Tweaker20Ver21-612x457.jpg)
With her latest project, Half Waif's Nandi Rose Plunkett has successfully bridged the ever-growing chasm between "avant" and pop, taking Radiohead's lesson to a more intimate and less pretentious place. The band's sophomore album 'Probable Depths" is an intriguing blend of synth and orchestral pop full of texture and otherworldly melodies. We asked Plunkett a few questions about her creative process and gear.
What events and records have been inspiring the music in 'Probable Depths’?
At the heart of ‘Probable Depths’ is the experience of recording the basic sounds for the album in the house where I grew up, in Western Massachusetts. It was very cold and very snowy when we were recording, yet the house was lit up with warmth from the old wood stove. To me, the album has this slick, constructed outside atmosphere that feels like the sharp air and the architecture of the house. Inside, in contrast, there’s the personal nature of the lyrics, the inner warmth of my thoughts, a sensation of being nestled inside a world of sound. That house has a lot of history – a lot of memories, joys, and intense sorrow. There’s a depth there that you might not feel when looking at the quaint red New England exterior, just like I hope there’s a depth to the music that requires a few listens.... Click on the title for more
It’s 1973 in Berkeley, California, and a young electrical wizard named Craig Anderton has just developed his take on the envelope filter. He calls it the “Funk Machine”, and together with John Lang, starts an innovative and experimental guitar effects brand, Seamoon Inc. Hand-building each individual unit, they launch their new brand with one pedal and quickly the word starts to spread... Fast forward a few months, Anderton decides it’s time to expand, and with that he develops Seamoon’s own version of the classic fuzz effect: the Fresh Fuzz was born.... Click on the title for more






