In this article, you’ll only find synth pedals for guitar that track your signal to trigger oscillators, not pitch-shifting effects or fuzz+filter pedals. You may also want to read our articles about the Best Pedals for Synths with CV In/Out and Best Pedals for Synths that accept Line In.

Best Synth Pedals for Guitar

Lists updated on April 26, 2022.


Best Synth Pedals with Oscillators – A Buyer’s Guide

Synth pedals are among the most misunderstood devices in the stompbox universe. Maybe because they are toys for musicians (guitar and bass players) whose job description doesn’t necessarily imply an understanding of synthesis in all of its deepest subtleties.

This page focuses on stompboxes that track and convert your guitar signal into a simpler wave produced by an oscillator.

To shed light on the various kind of synth pedals on the market, we published this article, which is highly recommended for those who are looking to buy their first synth stompbox. As you will find out, some pedals promoted as “synth” ones are mostly just filters and/or filter + fuzz combinations, i.e. effects applied on the guitar’s own signal that were already used by guitarists in the ’60s (like the classic Hendrixian fuzz + wah combo).

This page you are reading will instead focus on stompboxes that entirely replace the guitar signal, tackling the first category of pedals listed in the aforementioned article: the “Analog-Style Synth Pedals That Track Your Signal And Feed It Into An Oscillator.” Let’s quote here the paragraph that describes what these pedals do:

There is no analog synthesizer without an oscillator, i.e. a device that generates an electric wave whose pitch can be changed depending on how quickly it oscillates. The stompboxes that come closer to being true analog synths are the ones that track your guitar’s signal and converts it into a similar sound generated by an oscillator. These devices will then process that resulting tone through other circuits typically found in traditional analog synths, such as resonating low and high-pass filters and an LFO (modulation). A filter that cuts some of the signal’s frequencies (like a wah pedal) is the foundation of “subtractive synthesis,” upon which an overwhelming majority of analog synths are based.

These effects can be simply organized in two categories: Monophonic (pedals that can only track one note at a time, generating bass lines or lead parts) and Polyphonic (pedals that, if necessary, can also track two or more notes playing at once, like chords).

Best Polyphonic Synth Pedals

If you’re looking for deep, analog-style synthesis options with support for chord tracking (true polyphony), there actually aren’t many choices. This is due to the fact that the ability to track more than one note at a time directly from the instrument’s signal is a technology that’s been developed in recent years.

Click the arrow to read more about these pedals:

Polyphonic Synth Pedals with External Tracking Devices

The Boss GP-10 and the Roland GR-55 are also polyphonic synth pedals but are based on older technology. They require the proprietary GK-3 pickup, which mounts to virtually any guitar and requires no modification to your instrument, but at about $220, it is an additional investment. On the bright side though, these boxes allow greater sonic manipulation.

Best Monophonic Synth Pedals with Oscillators

But do you really need real polyphony in your synth pedal? If you don’t, your options widen considerably, and if you’re looking for deep sound mangling for lead-only or bass parts (monophonic tracking), these devices could be just the thing. As mentioned in the intro, all these stompboxes feature an onboard oscillator triggered by the guitar, which then feeds any number of extras such as octave circuits, filters, LFOs and more.

Click the arrow to read more about these pedals:

by Paolo De Gregorio and Nicholas Kula

Synth Pedals Video Shootouts

Here are a few synth pedal video shootouts!