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Author Archive

Corbu’s Synths and Live Setup

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Heavily inspired by a life of vivid dreaming, Brooklyn's
Corbu take the concept of "Dream Pop" to the extreme, by expressing their interpreted realities of the 'sleep-world' through their music . The band just released single 'Polygon Forest' off of their soon to be released studio album, 'Crayon Soul'. The track incorporates solid percussion beats, several layers of synths and the ethereal and psychedelic leaning vocals of lead singer Jonathan Graves. Intrigued by Corbu's sound, we asked him to describe the band's set up. "We’ve been playing live as a 3-piece lately, with me on vocals/guitar/keys, Amanda on synths and Todd on drums. Our music is really synth-heavy, and we’re trying to perform as many of those parts as possible with 4 hands on-stage.... Click on the title for more

Corbu’s Synths and Live Setup

Pedalboards at the Toronto Stompbox Exhibit 2016

Dilly Dally introduces us to Wounded Paw’s Battering Ram

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Dilly Dally is not a new band in the Toronto scene (they were born in 2009), but it's one of those rare ones that get better with time. 2015 was their year, thanks to their deliciously noisy debut album 'Sore,' a record that aims straight at the hearts of those who can relate to a perfect balance of fuzz, melody and slacking attitude - as well as those who, like us, miss like crazy the early Pixies (in this regard, check out single 'Desire').... Click on the title for more

Dilly Dally introduces us to Wounded Paw’s Battering Ram

Gothic Tropic’s favorite pedal: EQD’s Afterneath

12814240_1067225816652467_1294604515947130999_n[1] Cecilia Della Peruti is a creative force to be reckoned with in the LA scene. Her band Gothic Tropic's musical output could be seen as a permanent effort to defy categorizations: disparate influences like rock, pop, ambient, African melodies and even jazz find a place in her repertoire without affecting its cohesiveness. The lady is also an accomplished guitarist and she's very well versed in stomping on guitar pedals, so we asked her to send us a picture of it.... Click on the title for more

Gothic Tropic’s favorite pedal: EQD’s Afterneath

New Pedals: Hungry Robot’s The Wash

maxresdefault[1] Iowa based Hungry Robot Pedals has been active since 2012, with owner Eric Laverne Junge slowly refining its rigorously hand made stompboxes, and gradually shifting  his attention from effects belonging to the gain realm to more sophisticated and experimental ones dealing with ambiance.... Click on the title for more

New Pedals: Hungry Robot’s The Wash

Tall Juan’s Classical Guitar Driven Garage Pop

Featured Pedal: Big Tone Brewery’s Maggie Tremolo/Vibrato

Keith Vonderhulls, the mind behind the beloved Build Your Own Clone idea, has launched another guitar pedal-related company called Big Tone Brewery.  One of their best designs comes in the form of a stereo vibrato – dubbed the Maggie. Designed as an emulation of the legendary Fender Magnatone 280 in mind, the Maggie offers simple controls, and very warm analog tones.... Click on the title for more

Featured Pedal: Big Tone Brewery’s Maggie Tremolo/Vibrato

The Beaches’ Guitar Pedals

IMG_4669 Power girl band (or girl power band?) The Beaches made quite a splash last year in Toronto. In honor of our upcoming first Toronto Stompbox Exhibit, we asked guitarist Kylie Miller to tell us about her favorite guitar pedals... here's what she had to say! "Here’s my pedal board, pretty simple rig going on. For my main sounds, I use a modded Big Muff and an overdrive (Lexi by DMB Pedals ) which sounds like a Marshall amp. My new favorite pedals on my board are my [EQD] Bit Commander and my 1974 MXR Phase 90 pedal. The Bit Commander is a badass octave fuzz made by EarthQuaker Devices that sounds like a quirky mix of Jack White and Tame Impala. It bulks up any riff or solo. I rarely use the Phaser pedal, but it has a super authentic 70’s psychedelic sound that I love. It can be heard quite distinctly on our track “Zsa Zsa”, off of our second EP, “Heights.”"... Click on the title for more

The Beaches’ Guitar Pedals

New Pedals: Fuzzrocious’ Feed Me EQ/Preamp/Tone Shaper

'feedme_site_mar2016[1] If you think three years of age is too young to work in the family business, Ryan Ratajski of Fuzzrocious Pedals begs to differ. Together with his wife, painter Shannon, he's been designing stompboxes since 2008, letting Kaeden (6) and Raeven (3) paint the “kidpainted” pedals, which are highly recommended for those who enjoy turning knobs blindly.... Click on the title for more

New Pedals: Fuzzrocious’ Feed Me EQ/Preamp/Tone Shaper

New Pedals: Joe Gore’s Cult Germanium Channel Boost

CGS_crop[1] Accomplished guitarist and National Music Journalism Award winner Joe Gore has designed a line of pedals available via Vintage King, offering his take on a series of gain related circuits ranging from classic to quirky.... Click on the title for more

New Pedals: Joe Gore’s Cult Germanium Channel Boost

Digitech unveils the Whammy Ricochet

Whammy-Ricochet-Top_large[1] DigiTech today announced the Whammy Ricochet, a pedal that takes the popular Whammy pitch shifting effect and places it in a box with a small form factor. Instead of using a foot treadle to manipulate pitch bending rate, such as those found on traditional DigiTech Whammy pedals, the Whammy Ricochet bends the pitch of the incoming note at a rate determined by shift and return controls, with pitch selections of 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry,  as well as a toggle to select up or down for the selected pitch.... Click on the title for more

Digitech unveils the Whammy Ricochet

Featured pedals: Severe by Tone Freak Effects

Severe_Award[1] One of the newer companies on the guitar pedal scene, Tone Freak Effects specializes in stompboxes familiar in design, with a few special tweaks for added versatility. We were intrigued by one of their older models, called Severe, a meaty medium-to-severely-high gain pedal with tones reminiscent of some of the most notorious high gain amplifiers in the world. The standard 3 knob (Gain, Tone, and Level) overdrive taken up a notch, there is a toggle switch that allows for different clipping options – symmetrical, asymmetrical, and no clipping – as well as a bright switch that affects high frequencies on the Tone control. Severe produces a more dynamic sort of overdriven tone, and unlike many other pedals with this much gain on tap it never moves into that heavily-compressed, “rectified” sound. It plays nice with amplifiers of all types and is very well made, equally at home as a rhythm or lead sound. – Brandon Stoner
... Click on the title for more

Featured pedals: Severe by Tone Freak Effects