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Since BOSS worked on a new version of their legendary RE-201 Space Echo (the RE-202), while they were at it they also developed a smaller version of it that retains the most crucial features: enter the BOSS RE-2 Space Echo, compact version! This digital echo is a virtual multi-head tape…Click on the title for more
BOSS RE-2 Space Echo
German buitique pedal builder JPTR FX likes to make its devices big and noisy and also original, and the Katastrophe finds its originality angle in being an octave overdrive/distortion (as opposed to an octave fuzz). This is a pedal that allows you to radically tweak your tone through two gain…Click on the title for more
JPTR FX Katastrophe Octave Up Distortion
Fairfield Circuitry is an oddball, boutique audio effects company from Canada. I note the canadian heritage in that the physical aesthetic choices as well as the functions of the effects are reminiscent of a backwoods experiment by bearded men with too much time and whiskey on their hands. Fairfield…Click on the title for more
Fairfield Circuitry Barbershop V2 Overdrive
Based in Luton, UK, Latent Lemon is a boutique pedal builder laser-focused on building quality gain (and fuzz) devices. Inspired by the tones of legendary noise rock producer Steve Albini, the company's latest creation, simply named Hurts, is a take on the Germanium based Percolator fuzz, with added tone sculpting…Click on the title for more
Latent Lemon Audio Hurts Fuzz V2
The stompboxes by Portland's Spaceman Effects always have something special about them, and we are not surprised that their version of what's argualby the least "special" of effects (a booster) turns out to be a lot more than what its name implies. Introduced as a "Harmonic Booster," the Spaceman…Click on the title for more
Spaceman Saturn VI Harmonic Boost
The list of feature-packed delay pedals keeps growing as Brian Wampler has released his second digital multi-mode pedal, the Metaverse, which features 11 delay algorithms, which are: ANLG - Analog delay WET - Modulated analog BBD - ‘Bucket Brigade’ delay JET - Analog flanger delay DOC - Wampler ‘The Doctor’…Click on the title for more
Wampler Metaverse Multi-Delay
The EarthQuaker Devices Afterneath is an otherworldly reverberation machine that uses a cluster of short delays to create wild and cavernous reverberations with scattered, rhythmic reflections, offering fine-grained control over the reverberations it produces. More than a simple emulator of acoustic reverb, this pedal lets the player design the character…Click on the title for more
Earthquaker Devices Afterneath V3
Greek builder Jam Pedals has established itself as one of Europe's most trusted makers of boutique stompboxes, and the analog Delay Llama was undeniably the pedal line that helped this company come to the forefront of the guitar effects scene. The Delay Llama mk3 is the latest evolution of the…Click on the title for more
Jam Pedals Delay Llama mk3
We saw the Alexander Pedal Superball at NAMM 2020 and it's now officially out! It's an echo pedal that's as unpredictable as its name. It delays. It pitch shifts. It filters. It modulates. It combines these things, and much more, to make something that has to be heard to be…Click on the title for more
Alexander Pedals Superball Kinetic Modulator
The slim group of synth pedals featuring one or more tracking oscillators has just gained a new member: the Subdecay M3. This monophonic stompbox efficiently tracks your signal, triggering three digitally controlled oscillators in a circuit inspired by the legendary Korg MS-20. Here's the pedal's path, also immortalized in the…Click on the title for more
Subdecay M3 – 3 oscillator guitar synth pedal
In early 2018, Singapore-based BandLab Technologies (also owner of MONO) announced the resurrection of legendary Japanese guitar and amp manufacturer Teisco through the release of three new guitar pedals. We are excited to finally see the first third party demo of them, starting with the Teisco Fuzz. This is a stylish…Click on the title for more
Teisco Fuzz
At NAMM 2021 Chase Bliss Audio and Meris unveiled the prototype of a pedal adaption of the venerable Lexicon 224 studio reverb, built on the moving-fader format of Chase Bliss Audio's Automatone series and featuring three algorithms (Hall, Room, Plate). The pedal was named CXM 1978 after the year of…Click on the title for more
Chase Bliss & Meris CXM 1978 Reverb
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