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A peculiar-looking pedal based on the classic Electra Distortion circuit, the Pedal Tree Retro1 is an overdrive that adds an extra gain stage to the original circuit, together with a modified Big Muff Pi tone stack for unconventional tone results. It delivers the organic crunch of vintage tweed amps, perfect…Click on the title for more
New Pedal: Pedal Tree Retro1 Classic Overdrive
After releasing the well-received 1484 Twin Twelve tremolo/amp combo pedal, Silvertone and Jackson join forces again for a dual tremolo stompbox with two parallel Optical and Harmonic circuits: the Twin Trem. The two circuits can be run separately (in which case the LED will turn Blue when the optical circuit is on…Click on the title for more
Silvertone & Jackson Audio Twin Trem
When a pedal with just three knobs and a $200 price tag features in the chart of the top 10 best-selling overdrives on Reverb.com, you can be sure it's there because of the way it sounds. Enter the Greer Lightspeed overdrive, handmade in Athens, Georgia. Rather ironically, what makes this…Click on the title for more
Greer Lightspeed Overdrive
Enclosed in a beautiful case featuring an illustration by Jon Carling, the Old Blood Noise Dark Light is a versatile reverb pedal that combines the unique features of the company's Dark Star and Sunlight. Offering various routing options like separate stereo, parallel mono, and series mono, Dark Light merges Dark…Click on the title for more
Old Blood Noise Dark Light Stereo Reverb
Guitarists with a knack for sonic devastation should check out the Cosmic Terror Sonic Doom, a fuzz that delivers extreme loudness, razor-sharp string articulation, and endless sustain—without feedback, muddiness, or low-end loss. Designed for musicians who want to push their amps to the limit, it thrives with clean guitar/bass amps…Click on the title for more
Updated Pedal: Cosmic Terror Sonic Doom V4 Fuzz
The Rainger FX Razor Fuzz is a wild (mostly analog) ride in a stompbox: an unapologetically bold fusion of analog fury and digital mischief. With its original, analog gated fuzz circuitry, it’s *bristling* with zingy highs and oversized lows. Engaging the “Extra” switch unleashes an even more aggressive tonal onslaught…Click on the title for more
New Pedal: Rainger FX Razor Fuzz
The Wonderful Audio Fuzz Lands is an original circuit comprising a combination of JFET, germanium, and silicon transistors and features two knobs and three toggles to provide a wide range of fuzzy options, with a knack for keeping the performance's dynamics, something fuzz pedals are notorious for squashing to death.…Click on the title for more
Wonderful Audio Fuzz Lands
The Silvertone & Jackson Audio 1484 Twin Twelve is a collaborative amp-in-a-box that emulates the tone of the legendary, glassy-sounding Silvertone amp from the '60s that goes by the same name, found in many records and rigs by artists like Dan Auerbach, Beck, and Dave Grohl. The pedal is an…Click on the title for more
Silvertone & Jackson Audio 1484 Twin Twelve
Presented as the ultimate weapon for forging your guitar tone into a sonic beast, while simultaneously cranking your signal to obliterate the next stage of your signal chain, the Solar Chug EQ Boost is the third pedal in the Chug series by Solar Guitars, the company of Swedish guitarist, record…Click on the title for more
Solar Chug EQ Boost
The Lichtlaerm As Above So Below is a monumental reverb pedal that transcends traditional effects, offering vast, immersive soundscapes with celestial and subterranean dimensions, as you would expect from a metal-inspired Berlin-based builder! Built on a rich, sculptable reverb core, it features a dual-octave architecture organized in 3 modes: Above…Click on the title for more
New Pedal: Lichtlaerm As Above So Below Shimmer Reverb
We’re back with another chance to hook you up with some killer gear, courtesy of the Los Angeles Synth & Pedal Expo.Click on the title for more
Win 4 (more) Pedals via the L.A.Synth & Pedal Expo!
Have you ever wondered why many audiophiles or top engineers still don't seem able to admit that digital - in the audio realm - sounds better than analog? The answer is "character": digital is pristine, boring precision, while analog - like a familiar-looking, slightly unpredictable, cigarette-puffing actor of the '50s…Click on the title for more
Catalinbread Adineko oil can delay
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