Author Archive
T. Jauernig Electronics, or TCJ Effects, is a small Wisconsin based manufacturer of hand made pedals that's been around since 2004. They just finalized the New "Amalgam" Smooth Overdrive. The company states that this pedal is very touch sensitive and smooth, working in the mild to moderate gain range. If you leave it on all the time it will affect the the gain from clean to mild, to thick and creamy all from the volume knob on your guitar. The Gain and Tone controls offer fine tuning to each rig. There is also a gain range toggle that allows to choose between two distinct gain ranges. There's only going to be 100 of these made in assorted colors, and their price will be $100 including delivery.... Click on the title for more
Emerging Canadian pedal manufacturer Stomp Labs released their first pedal Fuzzi-Fier (pictured), which will be part of a hybrid analog/digital line called XPressWay. This line aims at making stompboxes that can be controlled more efficiently during the performance - rather than in between songs. More info about the pedal will be released soon. The company is also working on an iPhone app that emulates their guitar pedals.... Click on the title for more
Here are a few short news about new pedal releases:
British hand manufacturer Green Carrots have a new baby: The Pumpkin Pi offers a double dose of Muff love with the IC78 Muff joined with the much sought after Russian Muff, a match made in heaven.
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Pedal Monsters is about to release their new reverb Well 2.0 Reverb (boards and component were ordered!). The price on this pox will be $135 when it's released, but the custom effect company is already selling it to believers for $110 including shipping (email pedalmonsters [at} gmail.com if interested). More info on their website.---
We've been wondering if Pigtronix was ever going to release a pedal for bass... well they just released 3!!! Check out the new line here and this fresh Philosopher Bass Compressor Official Demo:
... Click on the title for more
Blending the complex harmonies of The Beach Boys with the gritty aesthetics of the new millennium's bedroom pop, Sunglasses add a new chapter to the Brooklyn DIY scene - which they recently embraced after moving from Savannah, GA. Whereas most current Brooklyn bands have a tendency to flirt with the decadent, self-indulgent atmospheres of the East Coast and European bands of the '60s and '70s, the duo's debut full length "Wildlife" is a collection of sunny and eclectic pop songs whose melodies quite unexpectedly flirt with jazz and lounge without sounding like either. The background is a kaleidoscopic accumulation of sounds that could be described as brilliantly organized chaos - a production style we also appreciated on Foxygen's latest record, and that can be traced back to the Beck-Animal Collective "influenceology tree" - but a chaos that works with the upbeat songwriting to create a super-fun party atmosphere.
... Click on the title for more
Black Cat Pedals is almost ready for their OD-Boost. Next week they will be sending out the announcement via their newsletter, check out the picture below and a rave (p)review here.
Cincinnati based El Rey Effects announced that due to popular demand, the Winston Churchill version of the Chicago Typewriter is now available as a limited run! Only 10 of these tremolo pedals will be available at this link.
Looking for a change of scenery to work on a new project, multi-instrumentalist Sam Owens left Brooklyn for the west coast and what he describes as his “beachy sanctuary”. Setting up in Los Angeles, the result of months of work was California Eden, a dazzling four track set of pretty harmonies, shimmering guitar licks and touches of experimentation that owes much to the sun-kissed city it was recorded in. With friends filling out the sound, Owen’s EP was released under the moniker of Celestial Shore, and as a fully-functioning band, the group are gathering pace, playing several shows and preparing to release their first album.n is the best feeling. I can't wait to put out this full length.... Click on the title for more
DIY musicians, who choose NOT to work on their music exclusively in the headphones, often make easily addressable mistakes when setting up their recording equipment: The most common blunder that I see in DIY project studios is monitors placed on a table and facing the recorder’s nipples (or belly).
Near field studio monitors are designed to reproduce the sound accurately only at a listening angle close to 90 degrees (i.e. smack in front of them). This is why ideally you want to place them so that each on of your ears face one of them, in particular when you are mixing or looking for the right sound for an instrument you are recording. Your ears should be at the same distance from the respective monitors, or you’ll perceive one side louder than the other one. So the ideal situation is to create an equilateral triangle whose corners are formed by the two speakers and your head, with the monitors rotated and even inclined if necessary so that the tweeter faces your ear.... Click on the title for more


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