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Posts tagged "JHS Pedals"
In its early days and for years after, the Ross Compressor seemed unimpressive among Bud Ross' accomplishments. This was the same mind behind Kustom Amps' success and its iconic cabinets on stages for Creedence Clearwater Revival and The Jacksons 5 among others. Ross, even when not mingling with '60s and…Click on the title for more
Ross Effects (via JHS)
Sold in a packaging openly inspired by Ikea's build-it-yourself products, the JHS NOTAKLÖN is a somewhat parodic DYI kit of what's presented as an overdrive pedal utilizing "the unique “Shamrock” modification that the Kansas City company performed on the *Klon KTR for several years" - although the name seems to…Click on the title for more
JHS NOTAKLÖN
The JHS The Violet is a Lari Basillo signature distortion pedal featuring a 3-way pre-distortion EQ with sweepable parametric mids. This allows for the creation of both mid-scooped and mid-heavy tones, although the pre-gain placement in the circuit delivers subtler changes. The Treble and Bass EQ controls are instead placed…Click on the title for more
JHS The Violet Distortion
Most overdrive and distortion pedals are based on pre-existing circuits if not downright clones of stompboxes that have stood the test of time. That can't be said for the JHS Hard Drive, a high gain distortion publicized by the brand as their first attempt "at a full-blown and respectable modern…Click on the title for more
JHS Hard Drive
The JHS Artificial Blonde is a stereo vibrato custom-created for two-Grammy nominated songwriter Madison Cunningham. It produces a subtly 3 dimentional pitch vibrato effect. Like most if not all pedal designs by the Kansas City builder, the Artificial Blonde sticks to tone, quality components, and a streamlined set of bread-and-butter…Click on the title for more
JHS Artificial Blonde Stereo Vibrato (Madison Signature)
The JHS Legends of Fuzz line just almost doubled in size, with the release of three new circuits inspired, just like the first four, by the most influential fuzz designs of all times. While the first four releases were clones of what are undoubtedly the most popular vintage fuzz circuits (Muff,…Click on the title for more
JHS Legends of Fuzz 2023
The JHS Berkeley is a tribute to the rare single op amp 741 version (Version 1) of the Fresh Fuzz, a semi-obscure pedal released in 1973 by Seamoon Inc, founded by Craig Anderton (inventor of the Funk Machine) and John Lang. Adopted by guitar legends Tom Scholz of Boston and…Click on the title for more
New Pedal: JHS Berkeley (Legends of Fuzz Fresh Fuzz Replica)
The JHS Mary-K Fuzz is a replica of an under-the-radar Japan-made fuzz circuit of the '60s known as Key Fuzz Tone. Its maker, Kay Musical Instruments, released a series of streamlined pedal effects in the late '60s that didn't have any knobs, but that allowed one parameter of the effect…Click on the title for more
JHS Mary-K Fuzz (Legends of Fuzz Boss Tone Replica)
Voiced after classic effects like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger, and the MXR M117 Flanger, the JHS 3 Series Flanger is a bread and butter, 3-knob pedal that can deliver the sound of those classics at a fraction of the cost. The traditional Blend, Rate and Intensity knobs…Click on the title for more
JHS 3 Series Flanger
The JHS Plugin is a replica of the Jordan Boss Tone, a device that captured the attention of many guitarists interested in vintage fuzz circuits mostly due to its form factor rather than its actual sound: released in 1967, it was one of the first guitar effects (and the first…Click on the title for more
JHS Plugin Fuzz (Legends of Fuzz Boss Tone Replica)
The JHS 3 Series Octave Reverb is the Kansas City-based pedal builder's $99 take on the so-called "Shimmer" effect, a circuit that marries a long ambient reverb with an octave effect placed in the reverb's decay. Appeared on the scene in 1984 when Brian Eno came up with it while…Click on the title for more
JHS 3 Series Octave Reverb
The JHS 3 Series Harmonic Tremolo is the Kansas City-based company's take on the effect created by Leo Fender in 1960, a modulation effect that splits the signal into high and low-frequency channels, with the center split frequency constantly changed by an LFO (oscillator), producing a dreamy tremolo effect reminiscent…Click on the title for more
JHS 3 Series Harmonic Tremolo
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