The Way Huge Doom Hammer Fuzz‘s lineage traces back to 1998, when designer Jeorge Tripps modified a late-’70s op-amp fuzz circuit for the band Oranger. Prized for its less pronounced mid-scoop compared to many vintage fuzzes, the circuit was valued for its tighter low-end response and reliable live performance.
Decades later, those prototypes evolved into the Doom Hammer. This new version retains the velvety harmonics of its predecessor but packs a more focused punch. The simple three-knob layout—Output, Tone, and Fuzz—offers wide-ranging control, from a delightful low-gain crunch to a dense wall of saturation. This makes it ideal for everything from gritty rock to modern doom, providing vintage character without losing definition.
Housed in the compact Smalls enclosure, the Doom Hammer is a road-ready tribute to a cult-classic circuit, updated for today’s heavy tones.
