Tsakalis AudioWorks Phonkify X

The envelope filter has been an essential effect in funk and soul, creating vocal-like sounds that drip with attitude. The first version of the Tsakalis AudioWorks Phonkify took it to a new extreme by adding an octave up and/or down feature that could be placed before or after the Filter. The Phonkify X, presented at NAMM 2025, makes it even more extreme.

It allows the player a choice between 3 filters (Low Pass, Band Pass, and Combo-Blend) and 3 Wah Wah modes (Low Pass, Band Pass, and High Pass). The latter mode can be activated by turning the Q knob (frequency selector) all the way down and plugging in an Expression pedal.

It is also possible to get the circuit to deliver 3 types of octave voicing: Octave up, Octave down or a blend of both.

In this new version, each effect gets a dedicated footswitch (while in the previous you couldn’t have the octave on without the filter). They can operate in latching or momentary mode.

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Tsakalis AudioWorks Phonkify Old Version

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Tsakalis AudioWorks’ Phonkify features controls for Volume, Octave selection, Frequency, Sensitivity and In(put) Gain. There’s also a Post/Pre switch to select the effect order and another to choose between Nasty and Smooth response.

There are two modes of juicy envelope filter (Smooth & Nasty), which turn into wah at the minimum “sensitivity” setting, combined with a unique octave up and/or down effect. You can also choose the order of the effects in your signal chain, creating a totally different vibe!

Phonkify features an expression jack, letting you control the frequency range of the envelope and wah effects, and a dedicated footswitch for the octave effect.

Phonkify is available for €175. Visit here for more information, and check out the video below for a demonstration, featuring Phonkify on all the guitar and bass parts.

All Tsakalis Audioworks pedals are handmade in Greece, individually tested and sold with a limited lifetime warranty.

Here’s a hilarious video shot by EytschPi42 shot at the Tsakalis booth at NAMM 2018.