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Posts tagged "Pedals"

VFE Pedals about to relaunch! – from Gearphoria.com

vfe Peter Rutter of VFE Pedals is going back to teaching full time in the fall, and while he doesn’t want to walk away from all he has built with the pedal company, he knows he cannot keep it in its current form. So he is blowing out all of his back stock of highly-tweakable pedals in order to bring a new, simpler form factor into mix. All new VFE pedals will be limited to four knobs and one minor control, like a toggle (see image). Peter posted this page on the VFE site with details about his plans for the future. - Read the full article on Gearphoria.com.... Click on the title for more

VFE Pedals about to relaunch! – from Gearphoria.com

A stompbox inspired delirium: The Stargazer Lillies

JohnCep-Pedals Listening to the brand new album 'Door to the Sun' by PA via New York trio The Stargazer Lillies is an experience comparable to getting lost in the fog. The fog, in this circumstance, is of the aural kind, and created by an over-abundance of guitar effects employed (very unsparingly) by guitarist John Cep, formerly of Soundpool. The man loves stompboxes so much that he carries around to shows not one but TWO boards to fit them all - one of them, as you can see, hosts almost exclusively delay pedals... We were looking forward to get some geek talk out of him, but it turns out his thought process is as deranged as his playing style.... Click on the title for more

A stompbox inspired delirium: The Stargazer Lillies

Humeysha’s creative process, instruments and recording gear

12512596_1666510273621998_6326296064995825364_n[1] For those who think NYC is getting a little too complacent in its imperishable reverence for grunge, surf, and doo-wop, quartet Humeysha should help clear the decks. Their self-titled debut integrates Indian influences and western pop in ways that would make George Harrison proud. Opener “For Love, from the Law” is sung in Hindi and marries the immovable sitar to minimal chillwave percussion. It is blissful pop counterfeiting as Eastern music (still kind of a nineties conceit). “Burma Between You and Me” employs an archaic loop that yields further razzmatazz. “Mahalli” eschews the psychedelic Indian sound for one closer to Dead Can Dance. Either way, it's fresh oxygen.... Click on the title for more

Humeysha’s creative process, instruments and recording gear

Odonis Odonis’ pedals and synths in ‘Post Plague’

unnamed Started in 2010 as the solo project of multi-instrumentalist/filmaker Dean Tzenos, Toronto's Odonis Odonis have quickly become a staple of the industrial scene, thanks to a series of records that, although featuring in full display the genre's signature, clangy noisiness, never lack in the production department, often offering also a melodic component inherited from drone rock of bands like The Jesus and Mary Chain. Their 2016 album 'Port Plague' represents a rather obvious change in the band's sonic trajectory, delivering a sound that removes almost entirely the previously dominant distorted guitar component, to rely more consistently on synths. We asked them a few questions in this regard:... Click on the title for more

Odonis Odonis’ pedals and synths in ‘Post Plague’

Stone Cold Fox’s pedals and gear

unnamed Melodic and atmospheric, Brooklyn's Cold Stone Fox boasts a sound that's multifaceted but extremely balanced. Their latest EP 'Tunnel Vision' harmoniously blends psychedelia with some of that melodic, ethereal but somewhat dark rock of the '80s (we hear a little bit of Simple Minds and The Church). Such well produced sound could not NOT trigger some Delicious Audio questions about their gear...... Click on the title for more

Stone Cold Fox’s pedals and gear

Ibanez launches three new Mini pedals at NAMM

Ibanez-mini-pedals[1] Ibanez debuted a lot of cool stuff at Namm 2016 this past weekend. In the pedal department, the Japanese manufacturer unveiled what can now be called a Mini series of compact stompboxes. The Mini Tubescreamer has been on the market for a while now, and the company decided to also offer their acclaimed Analog Delay, Chorus, and Super Metal stompboxes in the mini format as well.... Click on the title for more

Ibanez launches three new Mini pedals at NAMM

Dead Leaf Echo about pedals, guitars and set ups

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Shoegazer is the only musical genre that derives its name from something related to stompboxes: its sound is marked by guitars (and also vocals) so heavily processed to require the use of several pedals during the live setting, which invariably forces musicians to pay a lot of attention to them: that's what they are "gazing" at in most cases, it ain't their pretty shoes. LG and his band Dead Leaf Echo have been gazing at these inspiring, colorful boxes for quite some time now, working in the meantime with producer John Fryer (Nine Inch Nails, Depeche Mode) and opening for the likes of Psychedelic Furs, A Place To Bury Strangers and legendary British '90s shoegazers Chapterhouse. We thought musicians into the genre would be interested in knowing more about the band's "footware."

... Click on the title for more

Dead Leaf Echo about pedals, guitars and set ups

The Mast’s Gear and Creative Process

11745467_10153613703130757_4424038091407567761_n[1] Brainchild of singer Haleh Gafori and drummer Matt Kilmer, NYC's duo The Mast in the recent past has been developing their dream pop in a growingly electronic direction. The project has always been centered around Haleh's ethereal vocals and airy melodies and Matt's jungly, intricate beats (mostly played live), but the guitar that was resting on the singer's shoulder has been replaced by an electronic toy and an iPad, while the drummer's set up has changed radically, losing almost entirely the traditional drums, replaced by an intriguing hybrid featuring a mix of synths, tablets and exotic percussions. We thought this band would be perfect for our series of Q&A related to gear and the creative process.... Click on the title for more

The Mast’s Gear and Creative Process

Bass Boards at the Brooklyn Stompbox Exhibit

IMG_0577 Bass Players in the NYC area will be happy to know that we have three boards just for for them at this weekend's Brooklyn Stompbox Exhibit: two dedicated boards by Eden Bass Amps and Whirlwind (pictured below), and a mixed board (pictured).... Click on the title for more

Bass Boards at the Brooklyn Stompbox Exhibit

Splash Reverb Mk3 by Crazy Tube Circuits

Splash mk3 pic 4_s Crazy Tube Circuits has perfected the art of marrying the analog and digital worlds to create some of the most versatile and innovative guitar pedals that exist on the flooded boutique market today. The Splash Reverb Mk3 continues this tradition with three settings, each utilizing a unique algorithm. Setting 1 is labeled "Exciter" and offers sounds with just a touch of space to synthy textures. The second setting generates a more spacious reverb effect offering anything from spring sounds to larger halls. The final setting is a huge sound that offers cavernous reverberation. ... Click on the title for more

Splash Reverb Mk3 by Crazy Tube Circuits

Wild Ones’ Gear and Creative Process

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Led by Danielle Sullivan's gentle and compassionate voice, Portland's indie pop outfit Wild Ones sounds anything but wild, although they do enjoy experimenting with sounds, which - in a sense - is kind of wild! Their music has the ability to sound at once warmly intimate and somewhat cerebral. This is must be the product of the fusion of the creative minds and talents of Danielle and keyboardist Thomas Himes. We asked them a few questions about their gear and compositional process.... Click on the title for more

Wild Ones’ Gear and Creative Process

Strange Names’ gear and creative process

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Minneapolis transplants Strange Names have brought to NYC a swagger and confidence most of the local hipsters cannot emanate even if they tried. Their style that flirts with the clean, stylized sounds and imagery of the pop of the '80s - heck, their singers kinda looks like a young Simon Le Bon! - but their music, uptempo in a catchy but edgy way, is by no means simple: layers of electric, percussive and electronic sounds intersect with each other (and with the vocals) creating intriguing and often rather complex sonic webs, which must have required a certain amount of production in the studio. We had the opportunity to ask guitarist Francis Ximenez where all these sounds - and the band's inspiration - come from.... Click on the title for more

Strange Names’ gear and creative process