Summer NAMM Stompbox Booth this week at #1549!

An analog delay designed to give classic tones that sound similar to vintage tape machines, increasingly more lo-fi and dirty when driven at intense or longer settings. The Dirt section of the circuit adds gain to the repeats. The decay will become brighter as it tails off...the opposite of most "tape style" delay units.

$250 - A unique delay/sampler with three modes that can create sped-up and slowed-down—as well as forward and backward—tape effects, audio slicing, looping and overdubbing. Quantized pitch shifting makes it possible to create tones that are harmonized chromatically or in perfect fifths and octaves, or you can turn off quantization and set the pitch wherever you want.

$99 | A Tube Screamer interpretation featuring three clipping voices that affect the tone without necessarily referencing existing TS models: 1. "Symmetrical LED clipping" delivers more crunch and compression. 2. "No clipping" uses a wide-open OpAmp drive for a clean boost. 3. "Asymmetrical silicon diode clipping" offers more transparency with a loose feel.

$350 - A unique echo + tremolo. While the echo side of things is pretty straightforward, the tremolo can be controlled either through your regular speed/depth knobs, or through a photo cell that closes the filter/volume when it’s dark and opens it when it’s bright.

$229 | Updates the company’s Tubedreamer Plus and Tubedreamer 72 models, which have the same chip, but lack the Mix knob, which allows players to reintroduce some clean signal under the overdriven one to add extra body and dynamics. The second footswitch activates a high-gain-stage whose level can be adjusted through an internal trimpot.

This update to the original Pettyjohn Chime delivers an all-new power supply, mini potentiometer setup and lower noise floor.

An iconic and flexible (and also very affordable) distortion pedal that belongs to the shortlist of all time classics. Can seamlessly deliver overdrive, distortion and quasi-fuzz tones.

18. V2 of Red Panda’s Granular Delay sports completely rewritten firmware, as well as high-performance 32-bit processing and conversion,. It runs at a higher sampling rate, with more headroom and lower noise than the original. Interactive controls mean a small change can make a huge difference in tone. It offers features like presets, tap tempo, and freeze.

2. The Dark Sun encompasses everything there is to know about spatial effects with a multimode delay and reverb in one unit.

Built in collaboration with NYC’s Matt Kraus. this Tube Screamer-inspired overdrive belong to the Functionalist Design series, based on the principles of German industrial designer Dieter Rams, who advocated for better, more functional and less obtrusive consumer products.

$149 | A rugged (and great looking!) analog delay with modulation that can deliver anything from subtle to extreme tones.

$199 | A fuzz + filter inspired by the Kay Fuzz Tone, born from a request from SNL Guitarist Jared Schaff. The two effects have separate footswitches, the fuzz has two modes (Vintage and Modern) and a sensitivity switch transforms it in an Autowah. The filter can be controlled via expression pedal.