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Synth Pedals
The BOSS 200 series welcomes another member to its growing family, the SY-200, a rather compact yet fully-featured latency-free synth pedal built on the successful polyphonic circuit of its little sibling SY-1, offering an expanded sound set, more tone-shaping possibilities, 128 memories for storing your presets, and two footswitches for…Click on the title for more
BOSS SY-200 Synth Pedal
The BOSS GM-800 is the ultimate machine for guitarists who are into exploring not only synth tones, but ANY sound from acoustic to orchestral, since today's synthesizers can replicate pretty much any instrument. The first thing you need to know about this pedal is that it comes with its own…Click on the title for more
BOSS GM-800 Guitar Synthethizer
A generator of rhythmic patterns, the BOSS Slicer SL-2 is the new little brother of one of the most creative pedals in the Japanese brand's arsenal of pedals, the BOSS SL-20, which is more than twice the size. More or less like a step sequencer applied to your input, this…Click on the title for more
BOSS Slicer SL-2
Electro Harmonix's latest creation, the Superego pedal is a sustain and synth engine stomp box. It follows in the footsteps of their beloved Freeze sound retainer pedal. The Freeze pedal itself is a very innovative sustain pedal. It is essentially a very short duration sampler and looper. You could also think…Click on the title for more
Electro-Harmonix Superego Synth Engine
The Collision Devices TARS is the first standalone fuzz pedal by a French company best known for their ambient and organic multi-effect pedals such as the Black Hole Symmetry and the Nocturnal. However, this fuzz is not just a fuzz, but rather a very tweakable square wave generator interacting with…Click on the title for more
New Pedal: Collision Devices TARS Fuzz + Filter
The Tark Audio Squidink is a multi-octave fuzz pedal made by a new company based in Portland, OR determined to create "products designed to help illuminate unexplored areas of sonic cartography." Sounds intriguing... The fuzz is a classic Fuzz Face-style circuit using low-gain Silicon PNP transistors. The multi-octave section of the…Click on the title for more
Tark Audio Squidink Multi-Octave PLL Fuzz
In this article, you'll only find synth pedals for guitar that track your signal to trigger oscillators, not pitch-shifting effects or fuzz+filter pedals. You may also want to read our articles about the Best Pedals for Synths with CV In/Out and Best Pedals for Synths that accept Line In. [lwptoc…Click on the title for more
Best Synth Pedals for Guitar in 2023 (Monophonic & Polyphonic)
If you are looking to give your guitar sound some extra low-end depth in a synthy kind of way, the October Audio F Division might be what the doctor ordered. It's a device that mixes an overdrive circuit with not one but THREE switchable sub octaves. You got that right,…Click on the title for more
New Pedal: October Audio F Division Sub Octave Drive
The AC Noise Urla is an uncompromising new stompbox from one of the most interesting pedal companies to emerge as of late. It's an uber-tweakable CMOS fuzz in front of a dual resonant filter, with separate footswitches for each. At a time when most pedal builders seem to jump through…Click on the title for more
AC Noises Urla CMOS Fuzz + Filter
In 2019, Boston's Source Audio joined the small number of manufacturers offering a true synth pedal design with the release of the C4 Synth, which tracks a monophonic signal and feeds it to up to four parallel oscillators, each assignable to a choice of three waves shapes (sine, square and…Click on the title for more
Source Audio C4 Synth Pedal
We were the first one to take a picture and report about the Alexander Pedals Syntax Error 2 at Summer NAMM 2021, and we now are excited to see the first demo videos of it! Twice as wide as the original, this arcade game-inspired pedal packs a ton of new…Click on the title for more
Alexander Pedals Syntax Error 2
Australian builder Poly Effects got us used to devices that challenge established pedal trends (as you can see from the company's previous releases). Their new pedal, the Flat V, was designed in collaboration with Florida's blues guitarist/producer Josh Smith, and it's the weirdest pedal you'll ever see on a blues…Click on the title for more
Poly Effects Josh Smith Flat V
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