Posts tagged "Recording"
With psychedelic leanings and spacey synths that could believably been beamed down from Pluto, Brooklyn-based Pavo Pavo has a sound that's both warm and familiar, and yet hard to place. The band seems to comfortably straddle between the deeper trenches of Brian Wilson's brain and the new face of NYC indie rock--whatever that may be. The quintet's tunes may be hazy and wistful, but there's a quirky liveliness embedded at the heart of their tracks that invites the listener back for more and warrants repeat plays. The band's founder Oliver Hill was kind enough to spend some time with Delicious Audio to shed some light on their creative process, and the gear that helps color their distinctive feel.... Click on the title for more
Danz Johnson, aka Computer Magic, is by no means a tyro when it comes to navigating the music scene. In just 6 years, the Brooklyn-based synth-pop artist amassed 10+ releases, became something of a sensation in Japan, and shows no signs of stopping anytime soon. Her latest EP, Obscure But Visible, smacks of a more mature artist capable of fulling flexing her songwriting abilities, but has the same fresh feel and innovative vibes that her fans have come to love her for. Recently, the artist agreed to give us a glimpse into the magic that happens behind her computer and talk about her songwriting processes and experiences performing.... Click on the title for more
Miniature Tigers is officially back with their first release since 2014. I Dreamt I Was A Cowboy, the new 11-track LP from the indie rock band is a short departure from the group's previous releases--often unpolished, organic, and lovingly displaying the dirt and hiccups that come from recording via couch surfing. Charlie Brand, the band's vocalist, guitarist, and one of the main forces spearheading the recording of the album, was kind enough to talk to us about the making of the record, his inspiration, and some of the gear that gives the band their distinctive feel.... Click on the title for more
Meditating about the universe is heavy stuff but, like much in life, you have the option of being consumed, or delighted by your surroundings. Brooklyn-based electronic artist, The Landing, does the latter. Producing synth-pop tracks that have their feet planted firmly on the ground, but their eyes to the sky, The Landing’s songs capture the bliss of infinity, but are packaged in a way that harkens back to pop hits of the early 60's. The result is tunes that are spacey in scope, but still feel like home. The Landing was kind enough to let The Deli take a peek behind the curtain and discuss his influences and process.... Click on the title for more
After gracing (two thirds of) The Deli's 2016 SXSW issue's cover, Rockaway Beach, NY's experimental soul pop duo Lewis Del Mar had a pretty exciting year, culminating in the recent release of their self titled debut album, and the US and EU tour that follows it. The band turned ears in late 2015 with a series of memorable singles that blended an overall acoustic sound with electronic experimentation. We had the chance to ask them a few questions about their gear and creative process.... Click on the title for more
For those who think NYC is getting a little too complacent in its imperishable reverence for grunge, surf, and doo-wop, quartet Humeysha should help clear the decks. Their self-titled debut integrates Indian influences and western pop in ways that would make George Harrison proud. Opener “For Love, from the Law” is sung in Hindi and marries the immovable sitar to minimal chillwave percussion. It is blissful pop counterfeiting as Eastern music (still kind of a nineties conceit). “Burma Between You and Me” employs an archaic loop that yields further razzmatazz. “Mahalli” eschews the psychedelic Indian sound for one closer to Dead Can Dance. Either way, it's fresh oxygen.... Click on the title for more
Brooklyn songwriter Nola Wren is a perfect case to exemplify how electronic music is tempting more and more musicians through fun, increasingly user friendly products capable of inspiring young artists and unleashing new creative energy. A talented songwriter gifted with an expressive alto (vaguely reminiscent of Kate Bush), Nola in just over one year reinvented her sound, transitioning from her from her early folk recording to a new synth-pop "phase" that is resonating with many fans. Her natural sense for style is only helping the cause.
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Brainchild of singer Haleh Gafori and drummer Matt Kilmer, NYC's duo The Mast in the recent past has been developing their dream pop in a growingly electronic direction. The project has always been centered around Haleh's ethereal vocals and airy melodies and Matt's jungly, intricate beats (mostly played live), but the guitar that was resting on the singer's shoulder has been replaced by an electronic toy and an iPad, while the drummer's set up has changed radically, losing almost entirely the traditional drums, replaced by an intriguing hybrid featuring a mix of synths, tablets and exotic percussions. We thought this band would be perfect for our series of Q&A related to gear and the creative process.... Click on the title for more
Minneapolis transplants Strange Names have brought to NYC a swagger and confidence most of the local hipsters cannot emanate even if they tried. Their style that flirts with the clean, stylized sounds and imagery of the pop of the '80s - heck, their singers kinda looks like a young Simon Le Bon! - but their music, uptempo in a catchy but edgy way, is by no means simple: layers of electric, percussive and electronic sounds intersect with each other (and with the vocals) creating intriguing and often rather complex sonic webs, which must have required a certain amount of production in the studio. We had the opportunity to ask guitarist Francis Ximenez where all these sounds - and the band's inspiration - come from.... Click on the title for more



Most engineers and producers, to allow themselves more options at the mixing stage, record guitars (electric ones in particular) with two or more microphones placed at a different distance from the sound source. Shoegazer bands are particularly famous for using this technique, which indeed can help give the guitar a more roomy and open sound (if the mics are spread across the stereo field), but can also be problematic, because of a little mysterious word called “phase”.... Click on the title for more

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