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Posts tagged "compressor"
Akai is taking a big step into the guitar effects pedal market with the announcement of their Analog Custom Shop line: a collection of 10 pedals that aim for ’boutique’ sound at an affordable price. Building on the success of the E2 Head Rush delay, the Analog Custom Shop pedals feature true-bypass switching and mirror-polished metal chassis at a price range from $100-$200. The lineup includes some of the usual suspects: Compressor, Chorus, Flanger, Analog Delay, Blues Overdrive, and Phase Shifter. However, Akai has done a bit of tweaking to add extra versatility to the Tri-Mode Overdrive, Deluxe Distortion, Tri-Mode Fuzz, and Tri-Mode Distortion. The ‘Tri-Mode’ pedals have a three-way switch that allow you choose which distortion circuit to use: flick the switch up for a diode circuit, down for an LED circuit, and the center position will give you a combo of the two. The Deluxe Distortion (pictured below) gives you additional tonal variety with a three-way EQ toggle, in addition to the adjustable frequency knobs, that shapes the input to the distortion circuit. Expect to see all 10 of these all-analog pedals available soon. –Mike Bauer... Click on the title for more
Universal Audio just released two new plugins this Wednesday, adding to their numerous emulations of classic pieces of recording gear. The EP-34 Tape Echo and DBX 160 Compressor/Limiter ($199 each) represent two units from the 70’s that are still widely used and sought after. The EP-34 emulates the characteristics of both the EP-3 and EP-4, two solid-state models of the original Maestro Echoplex (pictured above). The unit was the first to introduce a slider that actually moved the tape heads further apart, resulting in a longer delay. Popular with guitarists and known for its warm and rich sound, the Echoplex set the standard for the delay effect, and can be found on recordings by Jimmy Page, Chet Atkins, and Joe Satriani among many more. The original DBX 160 Compressor/Limiter, commonly known as the “VU” model, was also on the cutting edge of recording technology when it was released in 1976. Nowadays, it remains a studio staple due to its distinct sonic signature – much loved on bass, drums, and vocals. With only threshold, compression, and output gain controls, the attack and release times were determined by nuances in the 160’s circuit – for instance, the release time increases as the […]... Click on the title for more