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The Electro-Harmonix Percolator is a re-elaboration of a circuit so legendary that most of its history is still guesswork. Original came out of a Milwaukee repair shop in the '70s. Rare. Gooped. Cult status. EHX took that weird little monster and gave it modern controls without cleaning up its…... Click for more
Electro-Harmonix Percolator
In 1983, Ibanez/Maxon built something absurd: the DM2000, a 12-bit digital delay so over-engineered that it made everything else look like a toy. Forty years later, Trey Anastasio has been abusing one onstage, using its Hold function to create infinite, warbling loops called the "Funk Siren." The only problem? Vintage…... Click for more
Keeley RK2000 Funk Siren Delay
Let's talk Van Halen tone, folks! The old MXR EVH 5150 Overdrive is the black-and-yellow classic. MOSFET clipping, three-band EQ, that legendary boost that doesn't just push your amp - it becomes your amp. It's the brown sound in a box. The history of Van Halen from "Eruption" to "Right…... Click for more
MXR EVH Modern High Gain Distortion
The Strymon El Capistan is a lush stereo emulation of a vintage Tape Echo device, in a cleverly simple box. It offers three Tape modes emulating different reading head configurations (Fixed, Multi and Single) and three ways to slightly tweak each one of them. Separate controls for Tape Age and…... Click for more
Strymon El Capistan V2 Tape Delay
At 15.4 × 8.3 × 6.8 cm (6" x 3.2" x 2.6"), the Crazy Tube Circuits White Whale Junior is almost certainly the smallest fully analog real spring reverb - with the added benefit of a tremolo to boost. That's not a typo. That's a three-spring tank in a box…... Click for more
New Pedal: Crazy Tube Circuits White Whale Junior
Waterslide Guitars and R2R Electric spent two years figuring out how to turn a 1960s darkroom timer into a fuzz pedal without just bolting new knobs onto it. The result is exactly as weird and wonderful as that sounds. Each unit starts with a vintage Time-O-Lite timer chassis. The existing…... Click for more
R2R Time-O-Lite Fuzz
The original JHS NOTADÜMBLË was a beautiful disaster. JHS accidentally loaded the John Mayer BBC-1 preamp into the clean side instead of the intended "Box It Later" buffer. Josh Scott called it the biggest mistake of his career. Discontinued the pedal. Offered refunds. The whole thing sold out anyway because…... Click for more
Updated Pedal: JHS NOTADÜMBLË V2 Pedal Kit
[caption id="attachment_215289" align="aligncenter" width="612"] https://stonegatefx.com/products/the-figure-filter-fuzz[/caption] Stonegate FX is a Toronto builder we've been familiarizing with at our Canadian Synth and Pedal Expos, and the Figure Filter Fuzz is exactly the kind of pedal that makes you glad you showed up. Most fuzz pedals hand you a wall of noise and…... Click for more
New Pedal: Stonegate FX The Figure Filter Fuzz
The Way Huge Doom Hammer Fuzz's lineage traces back to 1998, when designer Jeorge Tripps modified a late-'70s op-amp fuzz circuit for the band Oranger. Prized for its less pronounced mid-scoop compared to many vintage fuzzes, the circuit was valued for its tighter low-end response and reliable live performance. Decades…... Click for more
Way Huge Doom Hammer Fuzz
The folks at Walrus Audio looked at the compressor section of a Neve console, realized nobody was going to tour with one, and built the Highpoint. It's an all-analog optical compressor that runs on a ±15V internal rail—double the headroom of most pedals, zero starved-voltage compromise. The result is compression…... Click for more
Walrus Audio Highpoint Optical Compressor
RHPF Electronics MOSTARD. Up to +30 dB of clean gain that leans bright and gets brighter the more you push it. Low settings are warm and smooth. High settings are glassy, focused, and cut through anything. The EQ is where it gets interesting. No bass-mid-treble boost knobs. Instead, each control…... Click for more
New Pedal: RHPF Electronics MOSTARD
Red Panda has spent years proving that digital doesn't have to mean cold. The Raster was their deep-dive pitch delay - a brilliant box with menus, alternate functions, and enough parameters to make a synth programmer weep with joy . It was also, for the stomp-and-go guitarist, a lot. Enter…... Click for more
Red Panda RD-1 Pitch Delay
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