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Stompbox Exhibit
DELAY PEDALS
Electro-Harmonix built the Pico Shimmer so you don't have to spend ten minutes dialing in a decent octave reverb. Three scenes, one knob to morph between them, and a footswitch that gives you infinite reverb on a press-and-hold. That's the whole interface. Here are the 3 Scenes: Intergalactic: classic shimmer with…... Click for more
New Pedal: Electro-Harmonix Pico Shimmer Cosmic Reverb
The original SpaceTime was good. German engineering, MagTraB magnetic switching, Tap Tempo, analog dry path, warm digital repeats that didn't sound like ass. But it also required serious real estate, sported six knobs and multiple toggles, and had one fatal flaw: no tap tempo . The SpaceTime Tap V3…... Click for more
Updated Pedal: Vahlbruch SpaceTime Tap V3
Beetronics finally went digital. After years of building analog dirt boxes in those signature hand-painted enclosures, the California-via-Brazil hive unleashed the Pollinator Hazee Delay—their first fully digital pedal . And thank fuck. Because you can't do what this does with bucket brigades and capacitors. Here's the twist: most modulated delays…... Click for more
Beetronics Pollinator Hazee Multi-Modulated Delay
The Asheville Music Tools Analoger ADG-1 is an analog Bucket Brigade Delay with modulation that offers repeats from 16mS to 700mS. The modulation is very pleasant while, for those who like to get a little "dirty", the Drive knob allows to create some saturation reminiscent of a tape echo pushed to…... Click for more
Asheville Music Tools Analoger ADG-1 Analog Delay
Finland knows cold. Finland knows silence. And apparently Finland knows delay. The Deep Blue Delay is back in the Handwired series, and it's the same natural-sounding digital delay with an analog direct path. No filtering on the dry signal. No noise reduction circuits gumming up the decay. Just echo that…... Click for more
New Pedal: Mad Professor Deep Blue Delay (Handwired)
In a world of predictable effects, sometimes your sound needs a collaborator—not just a tool. Enter the Butterfly Effects Dobbo, a stereo granular effect pedal designed not just to process your sound, but to play with it. This isn't merely a delay or a reverb; it's an ecosystem of sound…... Click for more
Butterfly Effects Dobbo Granular Pedal
In 1983, Ibanez/Maxon built something absurd: the DM2000, a 12-bit digital delay so over-engineered that it made everything else look like a toy. Forty years later, Trey Anastasio has been abusing one onstage, using its Hold function to create infinite, warbling loops called the "Funk Siren." The only problem? Vintage…... Click for more
Keeley RK2000 Funk Siren Delay
A thousand dollars. For a delay pedal. Let that sink in. Here's the thing, though. Joel Korte and his team and John Snyder (Electronic Audio Experiments) have built something that actually justifies the price tag. The Chase Bliss Big Time isn't another digital delay with fancy marketing. It's a painstaking…... Click for more
New Pedal: Chase Bliss Big Time Stereo Delay
We were very proud to host the launch of the new Vongon Polyphrase at our 10th Brooklyn Stompbox Exhibit (yeah, after all what happened since our 2019 edition we kind of forgot that this was the event's ten year anniversary!). The Polyphrase is a stereo echo with an infinite feedback loop,…... Click for more
Vongon Polyphrase Stereo Echo
OBNE killed the BL-44. Good. It deserved a proper successor. The Old Blood Noise Setback is that successor: a reverse delay that ditches the "textural" hedging of its ancestors (Rever, Minim, Parting) for something more surgical. It can drift off on its own or lock tight to MIDI clock. It can…... Click for more
New Pedal: Old Blood Noise Setback Reverse Delay
Red Panda has spent years proving that digital doesn't have to mean cold. The Raster was their deep-dive pitch delay - a brilliant box with menus, alternate functions, and enough parameters to make a synth programmer weep with joy . It was also, for the stomp-and-go guitarist, a lot. Enter…... Click for more
New Pedal: Red Panda RD-1 Pitch Delay
The Old Blood Noise Endeavors Parting, created in collaboration with harpist influencer Emily Hopkins, is a sophisticated and experimental modulation/glitch delay/reverb hybrid designed for generative, evolving soundscapes. It masterfully blurs the lines between glitchy rhythmic delay, atmospheric reverb, and dynamic modulation. The pedal is organized into three core sections: Modulation: Offers…... Click for more
Old Blood Noise Parting Delay/Reverb (Emily Hopkins Collab)
Best Reverb Pedals:
A Complete Guide
Best Delay Pedals:
A Complete Guide
Best Klon Clones
The Best Uni-Vibe Pedals:
Clones, Evolutions, Stereo Vibes
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