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The Meris LVX is the long-awaited first release in over two years by one of the most interesting (and successful) new pedal companies to emerge in the late '10s, born from a rib of Strymon. As expected, it's a heavily featured stereo pedal, and more precisely, a multi-algorithm delay/looper with…Click on the title for more
Meris LVX Stereo Modular Delay
The Joyo Taichi is the newest addition to their R series, which is a low gain D-style overdrive with 4 simple controls. Volume, Gain, and Tone are simple enough, but the Voice knob is where the design really gets interesting. It works in conjunction with the Gain and Tone knobs…Click on the title for more
Joyo TaiChi Overdrive
The Mako M1 MkII is the updated version of the company's "High-Fidelity Modulation Machine," part of the impressive Mako line of stereo, multi-algorithm pedals. In line with previous Mako releases, the M1 is a highly tweakable effect with presets and MIDI compatibility that delivers several types of modulation effects: Phaser,…Click on the title for more
Walrus Audio Mako M1 MkII
The Walrus Audio Voyager MkII is the complete redesign of the Oklahoma-based company's very first pedal, launched in 2011. Like for many other young pedal companies, it was a Klon Centaur's clone. The Voyager MkII takes the "Klone" concept to the next level, with a multi-voice approach thanks to a…Click on the title for more
Updated Pedal: Walrus Audio Voyager MkII
The Fish Circuit Lunatique is an aggressive gated fuzz pedal, that has octave-up and ring modulation qualities when cranked. The pedal features four controls: Chaos, Body, Level, and Fuzz. The chaos control adjusts the amount of fuzz in the signal, while the fuzz and body control shapes the sound. This…Click on the title for more
Fish Circuit Lunatique
Built in Wales, the Holy Island Tides is an atmospheric pedal featuring a reverb followed by two gain stages, creating over-the-top fuzzy walls of sound sprinkled with interesting harmonics and sonic artifacts. Each gain stage can be activated through a toggle switch: Gain I is a low gain, opamp-based overdrive…Click on the title for more
Holy Island Tides V2 Reverb > Distortion
The limited edition Lutz from Horrothia Effects (one of the most interesting emerging UK pedal brands) offers a modern twist on vintage-style fuzz, expanding its versatility and control. Along with their signature military-grade "arcade style" bypass footswitch, the Lutz includes two additional footswitches: one for activating an extra gain stage…Click on the title for more
Horrotia Lutz Fuzz
In its early days and for years after, the Ross Compressor seemed unimpressive among Bud Ross' accomplishments. This was the same mind behind Kustom Amps' success and its iconic cabinets on stages for Creedence Clearwater Revival and The Jacksons 5 among others. Ross, even when not mingling with '60s and…Click on the title for more
Ross Effects (via JHS)
Sold in a packaging openly inspired by Ikea's build-it-yourself products, the JHS NOTAKLÖN is a somewhat parodic DYI kit of what's presented as an overdrive pedal utilizing "the unique “Shamrock” modification that the Kansas City company performed on the *Klon KTR for several years" - although the name seems to…Click on the title for more
JHS NOTAKLÖN
Canadian builder Fairfield Circuitry released a new 4-knob fuzz pedal that replaces in their roster the now discontinued Four Eyes Fuzz. Based, like its predecessor, on two JFET gain stages, this is an aggressive fuzz with a ton of gain and able to deliver a wide range of sounds through…Click on the title for more
Fairfield Circuitry ~900 Fuzz
Strymon just announced the successor of their super popular reverb workstation BigSky: it's the Strymon BigSky MX. Among the new features, there's Impulse Response technology and dual reverb patches, allowing the layering of two different effects on top of each other. The IR/Convolution Reverb addition allows for editing of parameters…Click on the title for more
Strymon BigSky MX Reverb Workstation
The JHS The Violet is a Lari Basillo signature distortion pedal featuring a 3-way pre-distortion EQ with sweepable parametric mids. This allows for the creation of both mid-scooped and mid-heavy tones, although the pre-gain placement in the circuit delivers subtler changes. The Treble and Bass EQ controls are instead placed…Click on the title for more
JHS The Violet Distortion
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