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Posts tagged "metal"

Surfy Industries Surfybear Metal

The Surfybear Metal is a real spring pedal that replicates the tones of vintage reverb pans with great accuracy, and it's considered by many as the best recreation of a Fender 6g15.... Click on the title for more

Surfy Industries Surfybear Metal

SNAMM 2016 Stompbox Exhibit: Amptweaker introduces the FatMetal Pro

Amptweaker_FatMetal_Pro_Distortion_2[1]Amptweaker’s James Brown - whose self-described specialty is not necessarily in the wild ideas but rather in the tweaking of ideas - is becoming one of the most nuanced pedal manufacturers for high gain distortion and we are proud to have him at our Summer NAMM booth next week. Built on thirty years of experience, his company has dialed in to the needs of the various subsets within various rock genres, metal in particular. At SNAMM James will be presenting the FatMetal Pro Distortion, aimed specifically at Black Metal players with tremolo affected leads, but by the looks of it the pedal has enough functionality to provide commanding undead crunch for any discerning metal player.... Click on the title for more

SNAMM 2016 Stompbox Exhibit: Amptweaker introduces the FatMetal Pro

New Pedal Manufacturers: Lone Wolf FX

Any guitarists out there looking to sculpt a tone for a niche sub-genre of metal, post hardcore or noise rock should take a deep, hard look at boutique pedal manufacture Lone Wolf Audio. This Austin-based shop (run by the designer of now defunct Enormous Door Pedals) has been ramping up production as of late and offers a tailored array of impressive high gain distortion stompboxes.... Click on the title for more

New Pedal Manufacturers: Lone Wolf FX

Slide Guitar Tone Secrets: Pick the Right Material

When playing slide guitar, different materials used on your strings will create slightly different tones. If you are after a smooth slide with long, clean sustain, you should try a cut-off bottleneck, which was Ry Cooder’s choice. If you are aiming at something less atmospheric and with more “bite,” go for the classic metal slide. A non-round surface like a blade can bring out a more “grating” sound by slightly scraping the thicker strings, while plastic round containers will create a more dull sound. Bone slides tame the bright overtones for a moodier tone. Heavy brass slides work better on the acoustic guitar’s “harder” strings, while the softer strings of the electric will require a gentler action and lighter slide. Assuming that you know that when playing in this style you don’t have to press the strings down to touch the neck, bear also in mind that damping the strings behind the slide with the free fingers on your left hand will give you a cleaner tone without too many ringing notes.... Click on the title for more

Slide Guitar Tone Secrets: Pick the Right Material