Posts tagged "gear"
It's almost impossible to not be immediately smitten with the Fantastic Plastics. With their bright colors and quirky demeanor, the Brooklyn-based duo re-imagines retro-synth pop for the 21st century. While they're sure to delight nostalgia seekers, the band's catchy, fun tracks have a wide appeal that's sure to draw in even the most discerning Brooklynite. The artists were kind enough to talk a little bit about their expansive synth collection, and just what dimension the Fantastic Plastics come from.... Click on the title for more
Danz Johnson, aka Computer Magic, is by no means a tyro when it comes to navigating the music scene. In just 6 years, the Brooklyn-based synth-pop artist amassed 10+ releases, became something of a sensation in Japan, and shows no signs of stopping anytime soon. Her latest EP, Obscure But Visible, smacks of a more mature artist capable of fulling flexing her songwriting abilities, but has the same fresh feel and innovative vibes that her fans have come to love her for. Recently, the artist agreed to give us a glimpse into the magic that happens behind her computer and talk about her songwriting processes and experiences performing.... Click on the title for more
Miniature Tigers is officially back with their first release since 2014. I Dreamt I Was A Cowboy, the new 11-track LP from the indie rock band is a short departure from the group's previous releases--often unpolished, organic, and lovingly displaying the dirt and hiccups that come from recording via couch surfing. Charlie Brand, the band's vocalist, guitarist, and one of the main forces spearheading the recording of the album, was kind enough to talk to us about the making of the record, his inspiration, and some of the gear that gives the band their distinctive feel.... Click on the title for more
After gracing (two thirds of) The Deli's 2016 SXSW issue's cover, Rockaway Beach, NY's experimental soul pop duo Lewis Del Mar had a pretty exciting year, culminating in the recent release of their self titled debut album, and the US and EU tour that follows it. The band turned ears in late 2015 with a series of memorable singles that blended an overall acoustic sound with electronic experimentation. We had the chance to ask them a few questions about their gear and creative process.... Click on the title for more
Our first thought when we heard "Wednesday Night Melody" - the new single by Los Angeles power pop trio Bleached - was: "This song should be on Rock Band!" - which, if you think about it for a minute or two - is a heck of a compliment. The ladies' new record "Welcome the Worms" showcases an evolution from their early vintage sounding garage-psych-pop, to a more muscular and modern "Alt" sound that, while more produced and punchy, retains the fun of those classic radio friendly punk songs a la' Joan Jett. The distorted guitar is pretty dominant in the band's sound, so were curious to find out what's on the board of the band's guitarist Jessie Clavin - and here's the answer!... Click on the title for more
For those who think NYC is getting a little too complacent in its imperishable reverence for grunge, surf, and doo-wop, quartet Humeysha should help clear the decks. Their self-titled debut integrates Indian influences and western pop in ways that would make George Harrison proud. Opener “For Love, from the Law” is sung in Hindi and marries the immovable sitar to minimal chillwave percussion. It is blissful pop counterfeiting as Eastern music (still kind of a nineties conceit). “Burma Between You and Me” employs an archaic loop that yields further razzmatazz. “Mahalli” eschews the psychedelic Indian sound for one closer to Dead Can Dance. Either way, it's fresh oxygen.... Click on the title for more
Kevin Garrett has emerged in 2015 as one of NYC's most prominent young songwriters. Unapologetically moody, soulful at heart, incurably ballad-prone, Kevin's songs have the aura of old time classics, but their production process is as modern as it gets, centered - as often the case these days - around the artists' home studio. We asked Garrett a few questions about it and the creative process triggered by it.... Click on the title for more
Brooklyn songwriter Nola Wren is a perfect case to exemplify how electronic music is tempting more and more musicians through fun, increasingly user friendly products capable of inspiring young artists and unleashing new creative energy. A talented songwriter gifted with an expressive alto (vaguely reminiscent of Kate Bush), Nola in just over one year reinvented her sound, transitioning from her from her early folk recording to a new synth-pop "phase" that is resonating with many fans. Her natural sense for style is only helping the cause.
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Shoegazer is the only musical genre that derives its name from something related to stompboxes: its sound is marked by guitars (and also vocals) so heavily processed to require the use of several pedals during the live setting, which invariably forces musicians to pay a lot of attention to them: that's what they are "gazing" at in most cases, it ain't their pretty shoes. LG and his band Dead Leaf Echo have been gazing at these inspiring, colorful boxes for quite some time now, working in the meantime with producer John Fryer (Nine Inch Nails, Depeche Mode) and opening for the likes of Psychedelic Furs, A Place To Bury Strangers and legendary British '90s shoegazers Chapterhouse. We thought musicians into the genre would be interested in knowing more about the band's "footware."
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Inspired by the mind expanding sounds of the '60s,
Great music is always relevant, and it's not a stretch to say that J. Mascis' 


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