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Posts tagged "gear"

Send Medicine’s guitar pedals in “July Eyes”

Inspired by the mind expanding sounds of the '60s, Send Medicine began as the solo project for Toronto based singer/songwriter Julian Hacquebard in the summer of 2012. Now based in Los Angeles and expanded to five (and at times six) members , the band, in debut album "Scary Aquarius Daughter" honed a sound that updates psychedelic folk to the current times. Of course, when we hear the word "psychedelic" we immediately think "guitar pedals!" - which is why we asked Julian to tell us about his favorite stompboxes. He decided to focus on the ones used in the recording of the single "July Eyes," streaming below.... Click on the title for more

Send Medicine’s guitar pedals in “July Eyes”

J Mascis’/Dinosaur Jr sound and gear

Great music is always relevant, and it's not a stretch to say that J. Mascis' Dinosaur Jr has grown to become one of the most influential rock acts of all times.... Click on the title for more

J Mascis’/Dinosaur Jr sound and gear

The Fantastic Plastics’ Gear and Creative Process

318073_511477292208825_1176848818_n[1] It's almost impossible to not be immediately smitten with the Fantastic Plastics. With their bright colors and quirky demeanor, the Brooklyn-based duo re-imagines retro-synth pop for the 21st century. While they're sure to delight nostalgia seekers, the band's catchy, fun tracks have a wide appeal that's sure to draw in even the most discerning Brooklynite. The artists were kind enough to talk a little bit about their expansive synth collection, and just what dimension the Fantastic Plastics come from.... Click on the title for more

The Fantastic Plastics’ Gear and Creative Process

Computer Magic’s Synths and Creative Process

10534724_886453314700770_4257922320623126290_n1 Danz Johnson, aka Computer Magic, is by no means a tyro when it comes to navigating the music scene. In just 6 years, the Brooklyn-based synth-pop artist amassed 10+ releases, became something of a sensation in Japan, and shows no signs of stopping anytime soon. Her latest EP, Obscure But Visible, smacks of  a more mature artist capable of fulling flexing her songwriting abilities, but has the same fresh feel and innovative vibes that her fans have come to love her for. Recently, the artist agreed to give us a glimpse into the magic that happens behind her computer and talk about her songwriting processes and experiences performing.... Click on the title for more

Computer Magic’s Synths and Creative Process

Minature Tigers’ Gear and Creative Process

14720612_10154757121309155_2432180885236369966_n1 Miniature Tigers is officially back with their first release since 2014. I Dreamt I Was A Cowboy, the new 11-track LP from the indie rock band is a short departure from the group's previous releases--often unpolished, organic, and lovingly displaying the dirt and hiccups that come from recording via couch surfing. Charlie Brand, the band's vocalist, guitarist, and one of the main forces spearheading the recording of the album, was kind enough to talk to us about the making of the record, his inspiration, and some of the gear that gives the band their distinctive feel.... Click on the title for more

Minature Tigers’ Gear and Creative Process

Lewis Del Mar’s Gear and Creative Process

After gracing (two thirds of) The Deli's 2016 SXSW issue's cover, Rockaway Beach, NY's experimental soul pop duo Lewis Del Mar had a pretty exciting year, culminating in the recent release of their self titled debut album, and the US and EU tour that follows it. The band turned ears in late 2015 with a series of memorable singles that blended an overall acoustic sound with electronic experimentation. We had the chance to ask them a few questions about their gear and creative process.

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Lewis Del Mar’s Gear and Creative Process

Jessie Clavin of Bleached: favorite stompboxes

bleached Our first thought when we heard "Wednesday Night Melody" - the new single by Los Angeles power pop trio Bleached - was: "This song should be on Rock Band!" - which, if you think about it for a minute or two - is a heck of a compliment. The ladies' new record "Welcome the Worms" showcases an evolution from their early vintage sounding garage-psych-pop, to a more muscular and modern "Alt" sound that, while more produced and punchy, retains the fun of those classic radio friendly punk songs a la' Joan Jett. The distorted guitar is pretty dominant in the band's sound, so were curious to find out what's on the board of the band's guitarist Jessie Clavin - and here's the answer!... Click on the title for more

Jessie Clavin of Bleached: favorite stompboxes

Humeysha’s creative process, instruments and recording gear

12512596_1666510273621998_6326296064995825364_n[1] For those who think NYC is getting a little too complacent in its imperishable reverence for grunge, surf, and doo-wop, quartet Humeysha should help clear the decks. Their self-titled debut integrates Indian influences and western pop in ways that would make George Harrison proud. Opener “For Love, from the Law” is sung in Hindi and marries the immovable sitar to minimal chillwave percussion. It is blissful pop counterfeiting as Eastern music (still kind of a nineties conceit). “Burma Between You and Me” employs an archaic loop that yields further razzmatazz. “Mahalli” eschews the psychedelic Indian sound for one closer to Dead Can Dance. Either way, it's fresh oxygen.... Click on the title for more

Humeysha’s creative process, instruments and recording gear

Kevin Garrett’s Gear and Creative Process

Kevin Garrett has emerged in 2015 as one of NYC's most prominent young songwriters.  Unapologetically moody, soulful at heart, incurably ballad-prone, Kevin's songs have the aura of old time classics, but their production process is as modern as it gets, centered - as often the case these days - around the artists' home studio. We asked Garrett a few questions about it and the creative process triggered by it.... Click on the title for more

Kevin Garrett’s Gear and Creative Process

Nola Wren’s gear and creative process

Brooklyn songwriter Nola Wren is a perfect case to exemplify how electronic music is tempting more and more musicians through fun, increasingly user friendly products capable of inspiring young artists and unleashing new creative energy. A talented songwriter gifted with an expressive alto (vaguely reminiscent of Kate Bush), Nola in just over one year reinvented her sound, transitioning from her from her early folk recording to a new synth-pop "phase" that is resonating with many fans. Her natural sense for style is only helping the cause.

... Click on the title for more

Nola Wren’s gear and creative process

Dead Leaf Echo about pedals, guitars and set ups

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Shoegazer is the only musical genre that derives its name from something related to stompboxes: its sound is marked by guitars (and also vocals) so heavily processed to require the use of several pedals during the live setting, which invariably forces musicians to pay a lot of attention to them: that's what they are "gazing" at in most cases, it ain't their pretty shoes. LG and his band Dead Leaf Echo have been gazing at these inspiring, colorful boxes for quite some time now, working in the meantime with producer John Fryer (Nine Inch Nails, Depeche Mode) and opening for the likes of Psychedelic Furs, A Place To Bury Strangers and legendary British '90s shoegazers Chapterhouse. We thought musicians into the genre would be interested in knowing more about the band's "footware."

... Click on the title for more

Dead Leaf Echo about pedals, guitars and set ups

The Mast’s Gear and Creative Process

11745467_10153613703130757_4424038091407567761_n[1] Brainchild of singer Haleh Gafori and drummer Matt Kilmer, NYC's duo The Mast in the recent past has been developing their dream pop in a growingly electronic direction. The project has always been centered around Haleh's ethereal vocals and airy melodies and Matt's jungly, intricate beats (mostly played live), but the guitar that was resting on the singer's shoulder has been replaced by an electronic toy and an iPad, while the drummer's set up has changed radically, losing almost entirely the traditional drums, replaced by an intriguing hybrid featuring a mix of synths, tablets and exotic percussions. We thought this band would be perfect for our series of Q&A related to gear and the creative process.... Click on the title for more

The Mast’s Gear and Creative Process