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The LPD Sixty8X is a limited-edition 10th-anniversary evolution of the 2016 Sixty8 Drive. This Marshall-style overdrive and preamp preserves the original’s tonal identity while refining its internal circuitry for a more authentic 1968-inspired amplifier response. Central to the redesign is an updated phase inverter clipping circuit that more closely replicates…Click on the title for more
New Pedal: LPD Sixty8X Overdrive
After years of relative quiet from the Dunlop-family brand, KHDK Electronics has reemerged with something unexpected . Not another high-gain monster for metalheads—though they've done those—but a filter-delay modulation pedal born from a two-year collaboration with Deftones' Chino Moreno. The Digital Bath takes its name and spirit from the White…Click on the title for more
New Pedal: KHDK Electronics Digital Bath Modulated Delay
Brian Wampler looked at the 1980s and saw two kinds of fire-breathing monsters. California boutique amps—smooth, articulate, punchy, the kind of gain that lets you bend a note and hear every microtonal ghost in between. British high-gain stacks—saturated, muscular, that cranked-Plexi crunch that made the decade sound the way it…Click on the title for more
New Pedal: Wampler Golden Jubilee Dual Overdrive/Distortion
Oy, UK-based synth wizards and knob-twiddling witches, This week, in anticipation of the looming London Synth & Pedal Expo, we’re hosting a giveaway that will expand your sonic horizons. You want a free slab of keys that'll make your computer sound like a spaceship? Arturia's Keylab 61 wants a home. Three plugins…Click on the title for more
Arturia Giveaway linked to the London Synth Expo 2026
The first Glue Fuzz was a sleeper. Two fuzzes in one box—a Fuzz Face and an Octavia—with controls that made no sense until you twisted them and the whole room tilted sideways. Velcro sounds. Synth sputters. That weird in-between space where fuzz stops being fuzz and starts being something broken…Click on the title for more
New Pedal: Zorg Effects Glue Fuzz MkII
The original Doom Dweller was a beautiful accident. One knob. One job. You twisted it, and the walls got bigger, the shadows got longer, the riffs started breathing like something alive in the room with you. Simple. Elegant. Dumb in the best possible way - like a sledgehammer or a…Click on the title for more
New Pedal: Fuzzlord Doom Dweller V2 Reverb
Let's get one thing straight right now. You're looking at a box that crams two completely separate fuzz circuits into one enclosure and sells the whole mess for less than what the Heliotropic alone used to cost. One-forty-five for the Grey Stache, two-ten for the Helio. Now you get both…Click on the title for more
New Pedal: Fuzzrocious Grey Stache/Heliotropic Double Fuzz
The Morning Glory Clean is not a new pedal. It is the same Bluesbreaker-style overdrive JHS has been building for years, but with one significant architectural change: a parallel clean blend integrated at the circuit level rather than tacked on as an afterthought. Most clean blends are simple mix knobs.…Click on the title for more
New Pedal: JHS Morning Glory Clean Overdrive
The Hungry Robot Moby Dickk has evolved significantly. Now in its third edition, this stereo tape-style delay expands from a straightforward (mono) five-knob emulation into a sophisticated eight-control workstation for textured, multi-headed echo . It is less a simple vintage replica and more a creative laboratory built around the warmth…Click on the title for more
Updated Pedal: Hungry Robot The Moby Dick Stereo Tape Delay
The Revv Dirt Dog is a soulful, amp-like overdrive born from necessity. When Joey Landreth recorded The Bros. Landreth’s Dog Ear album, he relied on a heavily modified vintage-inspired amp he built himself—a small, quirky Fender Princeton-style circuit that delivered exquisite, harmonically rich breakup but proved too fragile for touring.…Click on the title for more
New Pedal: REVV Dirtdog Joey Landreth Signature Overdrive
The Old Blood Noise Endeavors Parting, created in collaboration with harpist influencer Emily Hopkins, is a sophisticated and experimental modulation/glitch delay/reverb hybrid designed for generative, evolving soundscapes. It masterfully blurs the lines between glitchy rhythmic delay, atmospheric reverb, and dynamic modulation. The pedal is organized into three core sections: Modulation: Offers…Click on the title for more
New Pedal: Old Blood Noise Parting Delay/Reverb (Emily Hopkins Collab)
The Flattley Joker is a FET-based overdrive engineered to emulate the dynamic response and harmonic richness of a 12AX7 tube stage. Its design philosophy prioritizes touch sensitivity and tonal transparency, functioning as much as an expressive clean boost as it does a versatile drive. With the Gain control down, it…Click on the title for more
New Pedal: Flatley The Joker Overdrive/Distortion
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