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A refined version of the Brent Mason signature dual channel the Hot Wire V2, the Wampler ReWired features enhanced tonal options and added versatility, a specialty of the house. Its dual-channel design covers a wide range of dirty tones, from amp-like overdrive (right channel) to saturated plexi-style distortion (right channel).…Click on the title for more
Wampler ReWired Brent Mason Signature Drive+Distortion
Born from a collaboration with Jessica Dobson, the multi-talented force behind Seattle’s Deep Sea Diver, the Benson Deep Sea Diver is a unique fuzz-echo pedal that combines vintage-inspired fuzz tones with rich, warm analog delay. Designed to be versatile yet intuitive, this pedal can be placed anywhere on your board…Click on the title for more
Benson Deep Sea Diver Fuzz Echo
The Rainger FX Razor Fuzz is a wild (mostly analog) ride in a stompbox: an unapologetically bold fusion of analog fury and digital mischief. With its original, analog gated fuzz circuitry, it’s *bristling* with zingy highs and oversized lows. Engaging the “Extra” switch unleashes an even more aggressive tonal onslaught…Click on the title for more
Rainger FX Razor Fuzz
The Walrus Audio Xero Polylooper redefines live looping with two fully independent stereo channels, offering unprecedented creative control for performers and composers. Each channel provides 3-minute recording, unlimited overdubs, and real-time manipulation via speed adjustment (0.5x–2x), reverse playback, and individual panning. Here are some of the pedal's most intriguing features. Intuitive Gesture Control: Tap/hold/double-press footswitches for recording, undo, speed FX,…Click on the title for more
Walrus Audio Xero Polylooper
In the world of ambient pedals, Walrus Audio is a name synonymous with lush, atmospheric soundscapes. But with their limited-edition (and sadly, already sold-out) Walrus Audio Lüm, they’ve moved beyond reverb and into the realm of luminous, living texture. This isn't just another ambient pedal; it's a compact laboratory for…Click on the title for more
New Pedal: Walrus Audio Lüm Texture Engine
Let's be honest. In a world of pristine transparent overdrives and perfectly modeled amp simulators, our pedalboards can sometimes get a little… predictable. We crave something with character, something that fights back, something that introduces a little anarchy into our signal chain. Enter the Glou-Glou Pilule. This isn't just another…Click on the title for more
New Pedal: Glou-Glou Pilule Fuzz/PLL Pedal
Remember when the original BeatBuddy changed the game for solo artists everywhere? Well, clear some space on your pedalboard, because its successor, the Beat Buddy 2, has arrived, and it’s packed with upgrades that feel less like an update and more like a revolution. Think of the BeatBuddy 2 as…Click on the title for more
New Pedal: BeatBuddy 2 – Drum Machine Pedal
The Meris team has introduced an upgraded version of their popular polyphonic synth pedal, the Enzo X, elevating it to the same cutting-edge standards as their latest releases, the LVX Delay and the MercuryX Reverb. One and a half times wider than its predecessor, the Enzo X sports extra controls…Click on the title for more
Meris Enzo X Synth Pedal
The Alexander Pedals Now We Are Ghosts, a device you'll be able to check out in person at the upcoming Brooklyn Synth and Pedal Expo, is a creative, stereo reverb that reimagines the effect as a dynamic sound-synthesis tool. Conceived by designer Matthew Farrow as “a synthesizer built from a…Click on the title for more
New Pedal: Alexander Pedals Now We Are Ghosts
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Win 5 Pedals by BOSS, via the Brooklyn Stompbox Exhibit!
The Crazy Tube Mirage Jr. condenses the Greek company's powerful studio reverb engine into a compact, intuitive pedal, offering 16 immersive algorithms divided into two distinct banks. A shift push-switch toggles between the Outer Circle bank (in blue), featuring natural and vintage reverbs like Plate, Spring, and Hall, and the…Click on the title for more
New Pedal: Crazy Tube Mirage Jr. Reverb
The Way Huge Doom Hammer Fuzz's lineage traces back to 1998, when designer Jeorge Tripps modified a late-'70s op-amp fuzz circuit for the band Oranger. Prized for its less pronounced mid-scoop compared to many vintage fuzzes, the circuit was valued for its tighter low-end response and reliable live performance. Decades…Click on the title for more
New Pedal: Way Huge Doom Hammer Fuzz
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